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Interaction | Components & Design |
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[pullshow/]Many of us gamers have spent countless hours of our lives fighting the Great Old Ones. But do we even know why? Have we done the research on that one? Maybe under the reign of Cthulhu, Azathoth and their like there would be free cotton candy for everyone. You now have the chance to do that research. But be careful, the knowledge of the Old Ones quickly leads to insanity – as you will find out when playing Bruno Cathala and Ludovic Maublanc’s Pocket Madness.
The Road To Madness – The Rules
Your goal in Pocket Madness is, for a change, not to collect the most points but to make all the other players collect the most negative points. Those are called Madness in Pocket Madness. I think we can all agree that a little madness can be fun, but too much of it is a huge problem. Ten points of Madness, for instance, are too much because they make you lose the game. That’s why you want someone else to get there first.
Pocket Madness is a set collection game played over multiple rounds. Each round, some players – most players, usually – will gain Madness tokens. The game ends after the round a player got to ten Madness points and the player with the least Madness wins. The sets you have to collect are simple: from cards valued six to twelve you want to either make sets of three (or more) of a kind or straights from six to twelve.
You don’t assemble those sets by simply drawing cards from a pile. Complete randomness, that’s not how the Great Old Ones work. They make you think that you know what’s going on. In game terms, that means the cards are splayed in a long line. And roughly two thirds of them are face up, too, with face down ones mixed in at random. The first of three possible actions players can take on their turn is to take cards. To persevere in their investigation, as the rulebook calls it. Taking cards, they increase their knowledge of the Old Ones. They can take from one to three cards, but they have to decide first how many they want. That is, of course, relevant when one or more of the cards are face down. They don’t get to see what they discovered before delving deeper into dark mysteries. (Sorry, the thesaurus didn’t have a synonym with d.)
If a player has already collected a set, she may choose to play it instead of taking new cards. With a set of identical cards, that means she has collected enough knowledge of one of the Old Ones to open a portal to their strange dimension. She takes the Portal Card corresponding to that card value, even if another player already has it. Surprisingly, opening a Portal does not drive you mad. The Old Ones, for a change, are genuinely grateful to whoever opened the gate. Each portal card has a different special effect you may use once before returning the card. Cthulhu, for instance, lets you pass one or two cards to your opponents – very cool in a game where you win a round when your hand is empty. Gug lets you pass your turn, so you don’t have to draw cards when they really don’t go with your hand. Shoggoth is especially popular, he forces all your opponents to draw exactly one card for their next turn. And the other guys are just as fun, as long as it’s you who opened the portal.
Where cards of the same value represent knowledge about one of the Old Ones, straights stand for a wide knowledge about the Old Ones in general. And what do you, a serious researcher doing serious science, do with that knowlegde? You publish it! Unfortunately – for everyone else, that is – your research can be disconcerting to anyone reading it. When a player plays a straight, all other players take a Madness token. And Madness, once you started down that track, only accelerates. Another straight played in the same round gives two Madness cubes to all opponents, the next three, and so on. For added fun, you can play up to three straights in one turn and give six points of Madness to all opponents. Of course, first you must have the nerves to collect 21 matching cards…
[pullthis]Collecting that many cards takes nerves because cards in your hand at the end of a round may drive you quite mad[/pullthis]. A round ends in one of two ways. If the cards in the line run out, all players get one last chance to play sets. For cards they have left afterwards, they score Madness Points: one point for every distinct value of cards. Worst case that should be six points – if it was seven you should have played a straight. But six points is still plenty in a game that ends at ten. The other way to end a round is for one player to run out of cards. That player discards half her Madness – the only way to get rid of the stuff – and all other players take one Madness.
How mad will it make you – our verdict
It’s obvious from reading the rules summary that Pocket Madness is a light game, all you do is build sets from cards. But with most of those cards visible before you draw them and having some control over which cards you draw, there is a tactical element there. Not a big one, but it’s there. The tactical element is even bigger when you remember that the value of each card is also how many copies there are in the game. There are only six sixes, but twelve twelves. Keep that in mind and your chances to win go up. Use the Portal Cards well and they go up even more. Luck is always a factor, but it’s far from everything.
I can’t end this review without mentioning the art by Mathieu Leyssenne. The illustrations are gorgeous, and you’ll be hard-pressed to find more adorable paintings of the Old Ones. Between the balance of luck and tactics and the beautiful design, Pocket Madness is a game that works for everyone. Just make sure you have at least three players, it’s considerably less fun in two. Pocket Madness is a much lighter design than other games by the team Cathala/Maublanc, but they pull it off just as well as their heavier games.