Boardgames don’t really have an equivalent to literature. We gamers don’t usually consider the categories of literary fiction versus genre fiction, we think about light games and heavy games instead, or about different game mechanics. But by most criteria, the vast majority of games are more like genre fiction: advancing linearly, focused on a big payoff at the end, and made to entertain, not to invite reflection on their subject.
What you might call literary games are not entirely unheard of, though. One fine example is The Grizzled by Fabien Riffaud and Juan Rodriguez, a cooperative game set in World War One. The setting in itself is not what sets The Grizzled apart, though. Plenty of games are set in the two big wars. But in this one you don’t move tanks across a map, you don’t heroically storm beaches, and you don’t go home to live happily ever after, even if you win.Read more