DIG

Anything worth doing is worth doing as a contest. Running? Sure. Jumping? Certainly. Rolling dice? Well, duh.Throwing typewriters? It’s been done. Digging? I’m not sure if it’s been done before, but now there’s DIG, so you can do it in the comfort of your own home. It should have been obvious that there would be an annual digging contest somewhere in the multiverse. This one is only for the bravest of adventurers. The Hill has treasures aplenty, but it also has monsters, cave-ins, and your competitors.

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Pulsar 2849

Pulsars are certain types of stars that emit a tight beam of electromagnetic radiation. The beam doesn’t really pulse, it just appears that way because a pulsar rotates with a frankly ridiculous speed and we can only detect the beam when it’s pointed our way. Now, something the size of a star rotating in a matter of seconds or even milliseconds, that’s a lot of energy. And where is a lot of energy there are people thinking how to harvest it. Harvesting energy from pulsars is a wee bit beyond our current technology. But in the future, like, maybe in the year 2849?

Building pulsar-powered power plants, so called gyrodynes, is your job in Vladimír Suchý’s Pulsar 2849. A gyrodyne is basically a stellar scale dynamo, a ring built around a pulsar that turns with the force of the rotating star and transmits the energy generated elsewhere. But what powers the construction of a structure of that magnitude? Dice!

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Video Review: Arena – For the Gods

If you compare mythologies from all over the world two things quickly become obvious. One, the gods get bored easily. Two, they don’t have the attention span for complex entertainment. A game where heroes bash each others head in for the glory of the gods is exactly their kind of fun. Which brings us to this video review of Arena: For the Gods.

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Update: Clans of Caledonia

It’s been almost a year since we reviewed Juma al-JouJou’s Clans of Caledonia. Our review back then was based on the Tabletopia version of the game because the Kickstarter for the physical edition had just started. We’ve spent some time playing the paper-and-wood edition since then and it seems like a good time for an update.

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Professor Evil and the Citadel of Time

Usually it’s safe to assume that the people entering somebody else’s house through the window are the bad guys. Usually. And it’s not an excuse that the dwellings owner is called Professor Evil, either! What was he supposed to do, not pursue an academic career because of his last name? There is, however, the little detail that Professor Evil has been using his time machine to steal priceless artifacts right out of history. The Mona Lisa is small fry in a collection that contains Excalibur and the Ark of the Covenant.

If some heroic individuals were to enter such an individual’s citadel to return those stolen items to their rightful place in the timeline they would most definitely be the good guys. But their mission won’t be easy. A man called Professor Evil, why, his security systems are bound to be more interesting than a blinking red light on the wall. Those heroic individuals would need some outside guidance as they make their way through the Professor’s home. Someone telling them were to go, what to do. Someone like… you. Welcome to Professor Evil and the Citadel of Time.

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Rob ‘n Run

Rob ‘n Run might easily mislead you when you first look at it. Between the cartoonish cover art and the paper built escape vehicle on the table you could be forgiven for mistaking it for a kids’ game. You’d still be mistaken. Although Rob ‘n Run is suitable for kids – the crimes you commit are non-violent safecracks, and the rules are straightforward enough – adult gamers will have more fun. You have to take great care how you communicate, what conclusions other players will likely draw from revealing certain information in the situation you find yourself in. Kids below the recommended age of ten will struggle with that. We are enjoying the hell out of it.

The first published design by Michael Luu is a cooperative game with restricted communication. The players are a gang of safecrackers doing a few more jobs on their way to the airport. For every robbery one of them is the boss. The boss knows the tools needed for this job. Instead of just telling the rest of the gang, however, he can only give cryptic clues. The rules say he does this so the police cannot figure out where they are from what he says on the radio. I think it’s more likely that he read to many Batman comics and The Riddler is his idol.

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Fortress

With last year’s Fabled Fruit Friedemann Friese developed an alternative to the Legacy system for games that keep changing every time to play. It’s lighter than a Legacy game, you don’t have to rip up any components or glue stickers to them, and you can completely reset the game by sorting a stack of cards. Yet you still get a game that will keep you busy for quite a while before you discovered everything it has to offer. A game that keeps surprising you, at least the first time you play all the way through.

Fabled Fruit was successful enough – and Friedemann had enough fun making it – to spawn a series of games with the same system, now dubbed the Fast Forward system: Fear, Fortress and Flee. In fact, the Fast Forward games even go one step further than Fabled Fruit did: they don’t give you any rules to read before you start playing. All you do is put the big stack of cards on the table and start drawing cards. When you get to a card with rules you read it out loud and put it on the table for everyone to see. The rules on that card are in effect from that moment on.

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